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就在不久以前,人们还把未经艺术家本人许可而复制的艺术作品或是完全按照艺术家的图样仿制出的作品称之为赝品。同样,假如一个艺术家将二十年前的雕塑进行复制并作为原作出售的话,则会被认为有欺诈之嫌。对于博物馆来说,如果允许艺术家销毁其正在变坏的原作而重制,则会被指责为不负责任的保护政策。但是近年来,人们对于艺术的生产、保护、复制及展出的观念发生了变化,从而引发出一些令人困扰的牵涉到艺术作品“真实性”的新问题.其中,有关艺术品复制的论题最为复杂和棘手。
Not long ago, people also referred to art copied without the permission of the artist himself or imitated entirely according to the artist’s drawings. Similarly, if an artist copies and sculpts two decades ago for sale as an original, it is considered fraudulent. For museums to be remade if they allow artists to destroy their bad original, they are accused of being irresponsible protectionist policies. However, in recent years, people have changed the concept of art production, protection, reproduction and exhibition, which has led to some disturbing new issues involving the “authenticity” of the art work, in which the topic of copying works of art The most complicated and tricky.