论文部分内容阅读
戏曲艺术的孕育形成,似乎与宗教祭祀活动有关。戏曲艺术的成长、发展,也似乎一直伴随着神的活动。封建时代的戏曲活动离不开戏神和神戏,这就使戏曲与神的关系更加紧密。神在戏曲舞台上究竟充当怎样的角色呢? 戏神戏神,是戏曲艺人创造和供奉的神,因地而异,因剧种而异,个中奥秘,颇可玩味。我国民间有这样的传说:一日,唐太宗李世民罢朝回宫,因盛世太平,心情舒畅,伏案便睡。睡梦中他来到天宫,王母娘娘盛宴款待,还请李世民看了一场“天戏”。李世民
The formation of opera art seems to be related to religious sacrificial activities. The growth and development of opera art also seem to have been accompanied by God’s activities. The feudal activities of the feudal period can not be separated from the drama and god drama, which makes the relationship between drama and god more closely. What kind of role does God play on the drama stage? God is the God created and dedicated by the opera artists. It varies from place to place. Our folk have such a legend: one day, Taishi Zong Li Shimin strike towards the palace, because of peace and prosperity, the mood is comfortable, the desk will sleep. He came to the Temple of Heaven dream, the Queen Mother feast hospitality, but also asked Li Shimin saw a “day play ”. Li Shimin