当今中国画坛,写意花鸟画的发展显得踯躅不前,它从清末达到高峰后便逐渐衰微,是写意文人画总体衰微的一个部分,其中的原因有很多:社会变革、大众审美的改变、西方文化的冲击,当然还有其自身的问题,以至于在重视工细制作画风风行的今天,聊写胸中逸气的写意花鸟画更加边缘化,越发没有话语权。笔墨当随时代,写意花鸟画的笔墨图式必须接纳文化环境的改变,汇入当下的水墨语境才能有新的转变,符合当代的审美取向。而实际上,它在 In today’s Chinese painting society, the development of freehand bird-and-flower paintings appears rather gloomy, and it gradually declines from its peak in the late Qing Dynasty. It is a part of the overall decay of freehand literati paintings. There are many reasons for this. There are many reasons for this: social changes, changes in the public aesthetic, The impact of culture, of course, and its own problems, so that pay attention to the fine workmanship in today’s style of production, talk about writing in the heart of the freehand flowers and birds painting more marginalized, more speechless. Pen and ink As time goes by, the ink and wash drawings of freehand flowers and birds must take into account changes in the cultural environment. Only in this way can we have a new change in the current ink and wash context, in keeping with the contemporary aesthetic orientation. In fact, it is