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20世纪后半叶,文学经典的研究批评必须面对媒介语境,已经成为一个显性事实。其中,电影改编作为一种重要的跨学科现代性媒介批评方式,是对文学经典文本在新时空环境中的重新认识与延伸拓展。从深层次上讲,电影改编可以让社会大众直观文学经典的传播学特性,知道文学文本并不是固步自封在特殊范围之内的物质实体,而是具有不断发展变化的丰富内涵与可变形式;从而树立起一种新的观念:文学经典的形成过程,就是不断地把每一时期、地域人们的阅读接受、批评思想融入文学文本之中,形成经典性与现代性的交融;另一方面,文学经典也是在批评对话中的“浴火重生”。现代性语境中,电影改编所体现出的比较文学视域与跨学科背景能有效促进对话关系的建立与批评思想的落实。从而,在现代性的学术平台上建构电影改编与文学经典之间的理论思考和美学批评,并进一步加强对文学经典文本的内涵丰富与学术批评。
The second half of the 20th century, literary classics research critics must face the media context, has become a dominant fact. Among them, film adaptation as an important interdisciplinary approach to modern media criticism is a re-understanding and extension of literary classics in a new space-time environment. From a deep level, the film adaptation can let the general public visual characteristics of literary classic communication, that literary texts are not self-styled within a specific range of material entities, but with the continuous development and change of rich connotation and variable form; thus Establish a new concept: the formation process of literary classics, is to continue to each time, the regional people’s reading acceptance, criticism into the text of the literature, the formation of classical and modern blend; the other hand, literature The classic is also criticizing the dialogue “rejuvenation ”. In the context of modernity, the field of comparative literature and interdisciplinary embodied in film adaptation can effectively promote the establishment of dialogue relations and the implementation of critical thinking. Therefore, on the modern academic platform, it constructs the theoretical thinking and aesthetic criticism between movie adaptation and literary classics and further strengthens the connotation enrichment and academic criticism of literary classic texts.