2013年中国的文艺演出市场,民族音乐份额仅占1%。民乐对于中国观众来说,是一个大众既熟悉,但市场又陌生的存在上个月,我在成都一场民族音乐会上,发现了一件奇怪的事。那是在成都娇子音乐厅“花舞盛世”民族音乐会的演出现场,一位年轻的女演奏者有些忙。演出的开场她先用古筝与大家合奏了《茉莉花》;到了《望乡情》的时候,又坐在了箜篌面前,与另一位老师合奏;而在下半场的时候她又出现在竖琴前, In 2013, the performance space for theatrical performances in China accounted for only 1% of the national music. Folk music is a familiar to the Chinese audience but a strange market. Last month, at a folk concert in Chengdu, I discovered a strange thing. That is a young female performer at the Jiaozi Concert Hall in Chengdu, the scene of “Flower and Spirit” national concert. At the opening of the performance, she used the zither to play “Jasmine” with everyone. At the time of “looking forward to her hometown,” she sat in front of her face and entertained with another teacher. In the second half, she appeared before the harp,