论文部分内容阅读
“建筑的表情”所阐释的不仅是一个美学与文化的问题,在当下审美经济大潮的冲击下,建筑表情设计越来越是美学策略的建构。美感元素与文化序列在几何规则与数学逻辑的支配下,俨然构成了建筑的新表情。其现实性含义十分丰富:作为建筑符号形态,它是建筑符号所指向的文化属性;作为建筑设计的终极诉求,它是建筑所包含的思想、结构与作用的外在皮肤;作为建筑消费,它是建筑商品上的商品;作为欣赏,它是审美直觉的对象;作为建筑的功能形态,它指的是建筑的实用目的装饰。因此,建筑表情是对建筑的外部式样的文化与审美的历史性展开,以及与建筑内部结构形式的美学的外在逻辑性的描述,而且两者具有高度的统一性,它已经超越一般意义上的“建筑风格”。
The Expression of Architecture is not only an aesthetic and cultural issue. Under the current aesthetic tide, architectural expression design is more and more the construction of aesthetic strategy. Aesthetic elements and cultural sequences under the geometric rules and mathematical logic dominated, seems to constitute a new expression of the building. Its real meaning is very rich: as architectural symbols, it is the cultural attribute pointed by architectural symbols. As the ultimate appeal of architectural design, it is the external skin that contains the thoughts, structures and functions of architecture. As the architectural consumption, it Is a commodity in the construction of goods; as an appreciation, it is the object of aesthetic intuition; as a functional form of a building, it refers to the decoration of a practical purpose of a building. As a result, architectural expression is a historical description of the exterior and exterior of a building, as well as a description of the external logic of the aesthetics of the internal structure of the building, and the two are highly uniform and beyond the usual sense “Architectural style ”.