论文部分内容阅读
该文首先探讨了“心理距离”作为艺术的一个原则、审美的一个标准,其概念与内涵并不是指物理距离,而是一种心理空间距离.亦即审美理想与客观观实的距离、想象表象(意象)和记忆表象(具象)的距离,“艺术高于生活”的距离:然后,该文还进一步探讨了产生心理距离的机制和原因是因为人有想象,并由此提出了想象空间、心理空间和心理时间的概念;同时该文还涉及到时间、精神和艺术的关系问题,即精神的本质是时间,精神只能存在于时间之中、精神只能在时间中被定位;由于想象是最典型的精神现象,想象是指向未来的心埋空间和心理时间,因此,艺术的本质是指向未来(心理时间)的想象性精神,艺术是高于现实生活一定心理距离的审美意象和审美理想,艺术起源于想象。
This paper first discusses “psychological distance” as a principle of art and a standard of aesthetic, its concept and connotation do not refer to physical distance, but a kind of distance in psychological space, that is, the distance between aesthetic ideal and objective reality, imagination The distance between the representation (image) and the memory representation (figurative), and the distance between “art higher than life”: Then, the paper further explores the mechanism and reason of psychological distance because people have the imagination and thus proposes the imagination space , The concept of psychological space and psychological time. At the same time, the paper also deals with the relationship between time, spirit and art, that is, the essence of spirit is time, the spirit can only exist in time, the spirit can only be positioned in time, Imagination is the most typical mental phenomenon. Imagination refers to burying space and mental time toward the future. Therefore, the essence of art is the imaginative spirit pointing to the future (psychological time). Art is an aesthetic image that is higher than the psychological distance in real life and Aesthetic ideals, art originated in imagination.