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在对音乐的本质认识——音乐社会观中,其中音乐与社会的正向联系一面,含有一种运动的外部现象。这种运动的外部现象是由音乐的本质——音乐所具有的社会功能所决定的。音乐要实现其社会功能,音乐就必须参与社会运动,音乐就必须从作曲家的写字台上、从作曲家的钢琴健盘上进入社会。音乐作品不进入社会,不参与传播,尽管它具有某项社会功能的可能性,但它没有现实性。音乐永远是一张乐谱或作曲家观念中的音符群。只有作品进入社会参与各种运动过程,音乐才能作用于社会。在中国音乐教育领域,钢琴一直是普及性最广、应用价值最高的存在。钢琴教学绝不仅仅代表着乐器的音乐教学,而且对整体国民音乐教育及国家音乐事业的发展,都有着积极的影响。
In the understanding of the essence of music - the view of music and society, in which the positive connection between music and society, there is an external phenomenon of movement. The external phenomenon of this movement is determined by the nature of music - the social function that music possesses. Music To achieve its social function, music must be involved in social movements. Music must enter the community from the composer’s desk and from the composer’s piano keyboard. Music works do not enter the community, do not participate in the dissemination, although it has the possibility of a social function, but it is not realistic. Music is always a group of notes in a score or composer’s mind. Only works into the community to participate in a variety of sports processes, music can play a role in society. In the field of music education in China, the piano has always been the most universal and most valuable application. Piano teaching must not only represent the music teaching of instruments, but also have a positive impact on the overall national music education and the development of national music.