楔子《美术》杂志第一次与台北《艺术家》杂志交换编辑1989年一月号部分内容,主要以两岸美术演变昨日的经验与今日的状况作双向的交流。《艺术家》杂志社希望我就中国绘画在台湾的演变发展为大陆《美术》杂志的读者与美术界同道写这篇文字。我觉得两岸门户半开以来,透过探亲、旅游以及各种零散的、半直接半间接的文化接触(也包括了许多“散兵游勇”式的美术交流 For the first time, the magazine Art magazine exchanged editorial work with Taipei’s “Artists” magazine in January 1989, mainly on the exchange of yesterday’s experience with the evolution of the arts across the Taiwan Strait and today’s situation. The artist magazine hopes that I will write about this evolution of the development of Chinese painting in Taiwan for the readers and artists of the mainland art magazine. I think that since the opening of cross-Strait portals in the past half a century, through visiting relatives and tourists and various scattered and semi-direct and semi-indirect cultural contacts (including many “frenzied and brave” art exchanges