跨文化视阈下汉英翻译中的不可译性与文化缺省——以《京剧:东方艺术璀璨的明珠》的汉译英翻译实践为例

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随着时代的发展和世界一体化的进程加速,中国与西方跨文化的交流也随之不断扩展。这样的形势也就逐步凸显了汉英两种不同文化间跨文化交际的重要性。而作为跨文化交际主要途径的跨文化交际翻译应运而生产,以适应日益发达的跨文化交际的需要。在文化载体的语言方面,不同文化借由不同语言途径,实现跨文化间的信息传递。它既是一种跨文化交际活动,又是一种异文化的认知过程。但不同文化间的差异则会导致在跨文化交际过程中两种语言的不对等性,也即是在翻译时所存在的“不可译性”。在原文作者在创作时无意识省略的文化内容,在翻译时由于译文读者与原文读者文化的不对等性,进而产生了“文化缺省”。本文在探讨翻译中文化的重要性和关联性的基础之上,提出了跨文化交际翻译中由于文化的不对等性所产生的“不可译性”和“文化缺省”。并且以汉译英翻译实践《京剧:东方艺术璀璨的明珠》为例,来进一步验证含有丰富文化内涵的中文特有的京剧文化文本在汉英翻译中存在的颇多的不可译性和文化缺省现象,强调跨文化交际翻译中,准确把握原文作者想要表达的意思(言内与言外)、以及文化缺省现象的难度所在,进而为进一步研究和提出适当的中文文化负载词的翻译办法和处理手段。 With the acceleration of the development of the times and the process of world integration, the cross-cultural exchanges between China and the West have also been expanding. This situation also gradually highlights the importance of cross-cultural communication between two different cultures. Intercultural communicative translation, as the main approach to intercultural communication, should be produced in response to the growing need of intercultural communication. In terms of the language of cultural carrier, different cultures use different languages ​​to achieve intercultural communication. It is not only an intercultural communicative activity, but also a different cognitive process. However, the difference between different cultures leads to the non-equivalence of the two languages ​​in the process of intercultural communication, that is, the “untranslatability” existing in translation. When the original author unconsciously omits the cultural content during the creation, the “cultural default” arises due to the unequal culture of the target reader and the original reader in the process of translation. On the basis of discussing the importance and relevance of Chinese culture in translation, this article proposes “Untranslatability ” and “Cultural Default ” in translating intercultural communication due to cultural inequality. Taking the example of Peking opera: bright pearl of oriental art in translation of Chinese to English, this paper further verifies that there are a lot of untranslatability and cultural defaults in Chinese-English translation of Peking opera cultural texts that are rich in cultural connotation Phenomenon, emphasizing that translators of cross-cultural communication should accurately grasp the meanings (internal and external) of the original author, as well as the difficulty of cultural defaults, so as to further study and propose appropriate methods of translating Chinese-culturally-loaded words And processing means.
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