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本文选取“手艺”的物质性和“非物质性”为论述对象,以历史唯物主义社会发展观为思辨基础,通过审视手艺的双重属性,将其放置在社会历史发展的宏大背景中,从文化的维度审视手艺的精神。
This dissertation chooses the materiality and non-materiality of “handicraft ” as the object of study. Based on the historical materialism social development concept, this article examines the dual attributes of craftsmanship and places it in the grand background of social and historical development In the cultural dimension to examine the spirit of craft.