在当下的文化语境中谈论打工诗歌是微妙的。农村与城市间动荡不安的漂泊,生命个体被遮蔽的苦与难,似乎成了打工诗作撕不去的标签。郑小琼的诗歌一再被标识为打工群体的发声者:“我每天劳碌不停,为了在一个工厂里和平地安排好整个世界。”(《工业时代》)许立志富士康的纵身一跃,更让许多人对打工诗歌的认识定格在粗粝与压抑的诗行中:“左手用于白班/右手用于晚班/老茧夜以继日地成长/啊, It is subtle to talk about working poetry in the current context of culture. The tumultuous uneasiness between rural areas and cities and the hardships and difficulties that individual lives have been obscured seem to have become labels of working poets. Zheng Xiaoqiong’s poetry has repeatedly been identified as the voice of the working group: ”I work hard every day, in order to peacefully arrange the entire world in a factory.“ (”Industrial Age“) Xu Lizhi Foxconn plunge, more Let many people’s understanding of working-class poetry be grasped in the crude and repressed lines: ”The left hand is used for day shift / the right hand is used for night shift /