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莱辛在其著作《拉奥孔》中对传统的诗画一致说进行了批驳,并详尽分析了诗与画的界限。宗白华在其著作《美学散论》中也谈到了诗与画的界限问题。两位美学家的观点有相似之处,亦有所差别。
Lessing criticizes the traditional theory of poetry and painting in his book “Laocoon” and elaborates on the boundaries between poetry and painting. Zong Baihua also talked about the boundary between poetry and painting in his book The Theory of Aesthetics. The two estheticians have similarities and differences in opinion.