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与其文学观相呼应,胡风的批评观以人生、生活为“原型”和中心范畴,以批评的实践性、战斗性为内在质素,经由批评家主体这一关键因素,对作家创作和读者欣赏进行思想的、美学的引导,达到了社会学评价和美学评价之统一的理想境界。胡风的批评观是一个有着内在逻辑结构,带有浓厚“为人生”的实用特征的整体。“人生”包含的深广历史内涵及其释放出的美学想象,使得胡风的批评呈现出功利与审美并存、深度与缺失互现的多声合奏。
Echoing from his literary viewpoints, Hu Feng’s critique of views regards life and life as the “prototype” and the central category, criticizes the practicality and militancy as intrinsic quality, and through the critical factor of the subject of criticism, And readers appreciate the thought, aesthetics guidance, reached the ideal of sociology evaluation and aesthetic evaluation of the unity of the ideal. Hu Feng’s criticism is a whole with a logical structure of internal logic and a strong practical character of “being”. “Life ” contains a broad historical connotation and the release of the aesthetic imagination, making the criticism of Hu Feng presents utilitarian and aesthetic coexistence, depth and absence of multiple vocal ensemble.