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『华文』公司一部历史纪录片《末代皇帝——溥仪》问世,掀起了八十年代的『银色溥仪热』,中外影视纷纷竟拍这个特殊历史题材。目前最引人瞩目的,是导演李翰祥近拍的《火龙》。中国历代二百五十名皇帝死后都是土葬,只有溥仪例外;另者,末代皇帝把中国几千年传下来的封建制度结束,开始了另一种新制度、就好象从烈焰中飞化出来的『火凤凰』,隐喻他象『火龙』。
The publication of “The Last Emperor” Pu Yi, a historical documentary of “Chinese” company, set off the “silver Pu Yi heat” in the 1980s. Chinese and foreign films and television have successively made this particular historical theme. Currently the most eye-catching, director Lee Hsiang-hsiang close-up “fire dragon.” The two hundred and fifty emperors of ancient China died of burials after their death, with the exception of Pu Yi. In addition, the last emperors ended the feudal system handed down from China for thousands of years and started another new system as if flying from flames The “Phoenix” turned out to metaphor him like a “dragon.”