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自中国现代文学诞生之日起,父子关系和母女关系就分别是男作家和女作家最乐于书写的两种人情,文化批判和人性考量、政治归属和性别歧异等因素自然会附着其上,构筑出极为丰富复杂的文学景观。父子关系且不说,单表母女关系。五四时期,苏雪林、冰心、庐隐、冯沅君等女作家大都讴歌纯洁丰盈的母爱,致力于书写母女关系的温情一面,表达着对父权制权威的疏离和批判。到了20世纪40年代的张爱玲笔下,母女关系的复杂性开始呈现,《金
Since the birth of Chinese modern literature, the relationship between father and son and the relationship between mother and daughter are the two kinds of human feelings that male writers and female writers are most willing to write. Cultural criticism and human nature considerations, political affiliation and gender differences naturally attach themselves to them. To build a very rich and complex literary landscape. Parent-child relationship does not say that the single table mother-daughter relationship. During the May 4th Movement, most of the female writers such as Su Xuelin, Bing Xin, Lu Yin and Feng Yuanjun were euphoric, pure and rich maternal love. They devoted themselves to describing the tender feelings of mother-daughter relationship and expressing the alienation and criticism of the authority of patriarchy. By the 1940s Zhang Ailing, the complexity of the relationship between mother and daughter began to show, "gold