我和小琼相识有不少年头了,能在一块聊天的频次不算低,但很少正儿八经地谈诗,更别说谈她自己的诗。这次硬着头皮,为她的诗集《玫瑰庄园》撰写序文,确实有点诚惶诚恐的味道——作序这样的事情,难道不是应该由那些功成名就、德高望重的长者来做的事情吗?但我还是应下了。为什么呢?说得冠冕堂皇一点,既然矢志于做诗歌批评,我就得尽对同代诗人的观察和批评的责任,否则这项工作的意义至少要打对折;而这种同代人之间的观察和批评,与前辈的称扬提携或学院里的 I know a lot of years and young Joan, chatting in a frequency not too low, but very few children talk about poetry, let alone talk about her own poetry. This bite the bullet, writing an essay for her collection “The Rose Manor”, is indeed a little bitter and horrifying - is not such a thing as to be done by those who are successful and respected elders? But I still Should be down. Why? Well, it is sounding a high-sounding point. Since I was determined to do poetic criticism, I had to fulfill my duty of observing and criticizing poets of my time. Otherwise, the significance of this work should be at least doubled. Observation and criticism, with the elder’s praises or in college