当琳达·诺克林(Linda Nochlin)提问“为什么没有伟大的女艺术家”的时候,女性主义艺术开始进入艺术史的视野。中国女性主义的美学立场依然是建立在西方的女性主义的基础之上,这与其他舶来学科的情形差不多。最初,女性主义的艺术诉求是追求性别平等,但随着我们视野的放大以及现实的变化,女性主义艺术的发展出现了多样又复杂的形态。 When Linda Nochlin asks “Why there is no great woman artist,” feminist art begins to enter the horizons of art history. The aesthetic position of Chinese feminism is still based on western feminism, which is similar to that of other imported disciplines. Initially, the artistic appeal of feminism was the pursuit of gender equality. However, with the enlargement of our field of vision and the change of reality, the development of feminist art has emerged in various and complicated forms.