论文部分内容阅读
以父与子为代表的代际关系在中国的现代化进程中不可避免地遭受冲击,中国现当代文学对“父与子”主题的观照,事实上表达了现代性冲突中的一种伦理焦虑。80—90年代初的文学作品对“父与子”进行了重新的审视,解构、颠覆了传统意义上的父亲形象,并着力在暴力和性这两个方面对父亲进行刻画;在父爱缺席、母爱淡化的情况下,子一代表现出了强烈的哥哥情结,这也是另一种意义上对父亲、对父爱的召唤;父子关系出现认同危机,也出现了历史环境影响下的父子隔膜,子一代不仅通过和平手段对抗父亲意愿,拒绝父性世界,更有甚者通过“弑父”等暴力方式来颠覆父亲。但是这些作品对父辈往往采取把玩、戏谑的态度,将父子关系的多重隐喻肤浅化了。
The intergenerational relations represented by the father and the son are inevitably undermined in the process of China’s modernization. The contemplation of the theme of “Father and Son” in Chinese modern and contemporary literature in fact expresses an ethic in the conflict of modernity anxiety. The literary works of the 80s-early 90s re-examined Father and Son, deconstructing and overturning the father’s image in the traditional sense and focusing on portraying the father in terms of violence and sexuality. In the absence of love and mother’s love, the son generation shows a strong brother complex, which is another kind of call to father and fatherly love; there is a crisis of identity between father and son and a father-son relationship under the influence of historical environment The separatist and offspring fight against the will of the father through peaceful means, reject the patriarchal world, and even violate the father through violence such as “fatherhood.” However, these works often take a playful and joking attitude towards their parents and superfluous the multiple metaphors of the father-son relationship.