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中国现代小说的缘起依赖于中国社会现代化语境的生成。现代意识在历时结构上的二元对立与共时空间中的多元并存语境,迫使五四小说必然地承担起“历史中间物”的角色,内容和形式上都明显地打上了中间语境的时代烙印,呈现出某种现代审美异质,这种异质化倾向在一定话语场内与五四小说的现代性因素密切相关。笔者立足五四时期这一“中间”语境,从语言形态方面来考察西方语汇在五四小说文本中的异质性,并探讨其生成的现代机制。
The origin of Chinese modern novels depends on the formation of the context of Chinese social modernization. The dualistic opposition of diachronic structure and the multiple concurrency context in the common space of modern consciousness forced the May Fourth novel to inevitably assume the role of “intermediate material in history”, markedly marked in the intermediate context both in content and in form The modern era of imprinting, showing some kind of modern aesthetic heterogeneity, this heterogeneous tendency in a certain discourse field and the May 4th novel is closely related to the modern factors. Based on the “middle” context of the May Fourth Movement, the author examines the heterogeneity of Western vocabulary in the May Fourth novel from the linguistic aspects and explores the modern mechanism of its generation.