上世纪末,由于工作的关系,我认识了汕头的一个潮剧票友——陈江哲。他作为一个生意人,倾其财力,搜集整理潮剧的剧目和经典唱段,举办潮剧艺术沙龙,广泛联络专业和业余的潮剧艺术家及爱好者,在专业的圈子之外,形成了一个热力四射的“场”……这一切,与当时处于低谷的舞台现状,恰成鲜明对照,说明了蕴藏于民间的戏剧艺术,仍然有强大的生命力,给我留下了深刻印象。作为一种不可忽视的 At the end of the last century, due to my work, I met a Chao opera voter called Chen Jiangzhe in Shantou. As a businessman, he devoted his money and resources to collecting and arranging the dramas and classic aria of the opera. He held a tide of opera art salon and extensively contacted professional and amateur opera artists and hobbyists. Outside of his professional circle, he formed a very energetic “Market” ... All this, in stark contrast to the current state of the trough at the time, shows that the drama art hidden in the folk still has strong vitality and left a deep impression on me. As a can not be ignored