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20世纪的乐坛上,尽管作曲家的风光依旧,然而对于二度创造的表演家来说,越来越受到大众的瞩目,音乐解释始终成为学术界关注的热点之一。作为20世纪顶尖级钢琴演奏大师之一的格伦·古尔德(Glenn Gould,1932-1982),他的乖张举止和怪僻言行同他的杰出成就和敏锐思想一道,构成了独一无二的古尔德人格与风格。本文将通过对其演奏莫扎特钢琴奏鸣曲K.331的音响分析,辅以音乐作品的背景资料以及演奏家的个人资料,试图对古尔德的钢琴演奏观念进行探究。
In the 20th century music scene, although the composer still enjoys the scenery, it is getting more and more public attention for the second-time performers, and the interpretation of music has always been one of the hot spots in academia. Glenn Gould (1932-1982), one of the top 20th-century piano virtuoso, whose perverse behavior and freakishness, along with his outstanding achievements and keenness, form the one and only gould Personality and style. This essay attempts to explore Gould’s concept of piano performance by analyzing the acoustic analysis of Mozart’s piano sonata K.331, together with the background information of the musical works and the personal data of the performer.