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本文将从海德格尔对“手”的讨论和德里达对这一看法的解构出发,去确定讨论“手”、“手工”、“手工艺”时,我们具体指的是什么,并努力去戳穿广泛流行于当代艺术界的关于“手”的神话或意识形态。本文对techne的解释是:高于现、当代艺术的、最高阶段的手工艺或大艺术。在今天,它应该是我们重新学习着去使用周围已、正被废弃和隔离的一切的能力。还能亵渎地重新学会使用我们身边被闲置和隔离的一切的人,才是高手。1今天的艺术家所强调的原创,
This article starts with Heidegger’s discussion of “hand ” and Derrida ’s deconstruction of this view, to determine when discussing “hand ”, “hand ”, “handicraft What it is and strives to stamp out the myths or ideologies widely known in the contemporary art world about ”hands ". This article on techne explanation is: higher than the present, contemporary art, the highest stage of handicrafts or big art. Today it should be our ability to relearn ourselves to use everything that is around, being abandoned and isolated. It is also profane to profane re-learn to use all that is idle and isolated around us. 1 Today’s artists emphasize the original,