戏曲,是一个窗口喜欢看京戏,不是行家,也算不上戏迷。除了欣赏艺术,为其剧情,尤其是委婉动人的唱腔所迷,还常把戏曲当作一个窗口,从她审视历史,思考国情。从这一窗口,看人观事,于史,于思,于诗均有所得。历史教科书上的记载大多概略,戏曲中的聚焦,则往往生动而形象,具体化、感性化、典型化,更为真实,更加感人。说几出戏吧,都是舞台上盛演不衰、脍炙人口的经典名剧。譬如《赵氏孤儿》是享有国际声誉的一出大戏,是宫廷戏中屡见不鲜的残害忠良的故事。在这出戏中,人们最为关注和津津乐道的是程婴、公孙杵臼等人为救赵家的遗孤牺牲自己的亲子和献出宝贵生命的侠义行 Opera, is a window like to see Peking Opera, not an expert, is not really entertaining. In addition to enjoying art, especially for the euphemistic and moving singing, it is often used as a window for opera, which examines history and considers national conditions. From this window, people see things, in the history, in thinking, in the poem have income. Most of the records in history textbooks are mostly sketchy. The focus in the drama is often vivid and vivid, concrete, sensualized and typical, more real and more touching. Say a few plays, are performing on the stage is not bad, win universal classic drama. For example, “Orphan of Zhao” is a drama enjoying an international reputation and is a common story of remnants of courtesy and loyalty in court drama. In this drama, people are most concerned about and relish is Cheng Ying, Gongsun Shuji mortar and others to save Zhao’s widow sacrifice their own paternity and give their precious life Chivalrous