中国文人是极聪明的,做着官,著着诗文,且游观山水,还能用业余时间写出一部堂皇的艺术史。从这个史实中,可得出两点结论:一,文人们画画的时间是极少的,充其量是官末、文末余事;二,“画”是“文”养出来的,所以叫“文人画”。今日美术界的情形如何呢?这个问题似不必回答,情形大家都了然于胸。数年前,刘国松曾以“越没文化,画画得越好”之高论而语惊四座,虽为谬言,却也道出了美术界的大体情形。基于这个缘故,我一向主张文人、知识分子画画。私下的想 Chinese literati are extremely clever, doing official, poem, and sightseeing landscape, but also spare time to write a magnificent art history. From this historical fact, we can draw two conclusions: First, the literati draw time is very small, at best, is the end of the official, the end of the article; Second, “painting ” is , So called “literati painting ”. What is the situation of the art world today? There seems to be no need to answer this question, and everyone is aware of the situation. A few years ago, Liu Guosong, who once criticized “the less cultural and the more beautiful his paintings”, even though it was a fallacy, also revealed the general situation of the fine arts world. For this reason, I always advocate literati, intellectual painting. Privately thinking