卖出一件连你自己都不相信是真品的艺术品,其方法很简单:为它编一段故事,或催人泪下,或感情至深,但编故事的过程却如罪犯构思犯罪过程一般,要环环相扣、因果相承。一件作品可能经过各种手段处理后,从不值钱的无名作品摇身变为身价百倍的大师之作;卖作品的人可能是画商或造伪者本人;买作品的人也许是急切买入某位大师作品的狂热收藏家,甚至是权威的收藏机构如美术馆。当“故事”让作品可信时,我们应当怀疑作品本身的可信度,而“故事”之所以存在且延绵不休,就是因为有巨大的金钱利益和收藏欲望做推动。 The art of selling a piece of art that you do not believe in is authentic is simple: make a story, tear it out, or feel deep, but the process of making a story is as criminal as a criminal Link, causal relationship. A piece of work may be handled by various means, from worthless anonymous works transformed into a masterpiece for a hundred times the price; sell works may be the art dealer or pseudo-counterfeiters; who buy the work may be eager to buy A master collector of fanatical collectors, and even authoritative collections such as art galleries. When “Story ” allows the work to be credible, we should doubt the credibility of the work itself. The reason why “Story ” exists and stretches endlessly is because of the tremendous pecuniary interest and desire to promote.