许多新生事物,往往是在缺乏理论准备的情况下,匆匆登场的。近两年来出现的电视室内剧,就是一个例子。北京电视艺术中心摄制的《渴望》,首先是为了满足观众的欣赏需要迎接屏幕上进口电视剧一度充斥的挑战而产生的。但是在开机之初,对它的成功究竟有多大把握,创作者们心中不一定有数,理论界也没有清 Many new things, often in the absence of theoretical preparation, hurriedly debut. The television series that emerged in the last two years is an example. The “cravings” produced by the Beijing TV Arts Center first came to meet the audience’s appreciation of the challenge of once-imported dramas on the screen. However, at the beginning of the startup, how successful is its grasp, creators are not necessarily the number of hearts, theorists have not clear