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第二届北京双年展已经开幕,然而场面宏大而无序,作品“多元”而相当杂乱,其混沌状况与前一届没有任何分别:俄罗斯特展馆里放着李占洋的雕塑,表现主义油画旁挂着传统山水……中国艺术研究院博士杭晓春将上一届北京双年展比喻为进了浴室,却分不清男女浴室,可见一斑:而在对本届双年展的评价中,李静在《东方早报》的一篇文章《北京双年展:盛宴无“菜单”》中将其比喻为“好比不分顺序吃了些食物,却根本不
The second Beijing Biennale has opened. However, the scene is ambitious and disordered. The work is ”diverse“ and quite messy. Its chaos has no difference from the previous one: the statue of Li Zhanyang is displayed in the Russian special exhibition hall, Hanging beside the traditional oil paintings, the traditional landscape ... ... Chinese Academy of Arts Dr. Xiaochun the last Beijing Biennale metaphor into the bathroom, but can not distinguish between men and women’s bathroom, can be seen: In the evaluation of this Biennale , Li Jing in the ”Oriental Morning Post,“ an article ”Beijing Biennale: feast without “ menu ”in the metaphor for " like eating food without distinction, but simply not