清末民初碑学盛行,很少有文人、书家不为碑学潮流所裹挟。这是由以下两个重要方面所决定的。晚清碑学思潮并不是孤立单一的书法变革思潮,其中潜隐着社会变革思想,它从乾嘉发轫到晚清由维新变法领袖康有为推动,骤臻高潮势不可挡,乃是由于碑学思潮与变法思潮构成合流,书法碑学变革成为晚清社会变革思潮的一部分。康有为在《广艺舟双楫》中,即寄寓了他强烈的变法思 The beginning of late Ming Dynasty inscription prevalent, few literati, calligraphers not for the trend of insistence. This is determined by two important aspects. The thought of late Ming Dynasty is not a single thought of calligraphy change in isolation, which lurks the idea of ​​social change. It was promoted by Kang Youwei, a leader of reform and change from the Gadjugar era to the late Qing dynasty. However, Trend of thought constitutes a confluence of calligraphy and the study of change has become part of the trend of social change in the late Qing Dynasty. Kang Youwei in the “art boat double 楫”, which embodies his strong change thinking