我在国内读到的观察,既 20 世纪现代与后现代美学的狂潮中,作曲家逐渐开始了的一些超越传统的音乐规范的尝试。此现象在国内确实如此,但在现代与后现代美学最初兴起的中欧地区其实并非如此。以我在中欧生活、创作、任教三十年中的观察,超越传统的尝试并非仅局限于作曲家。几百年来中欧地 What I read in the country was that the composers began some attempts to go beyond traditional musical norms in the craze of modern and postmodern aesthetics in the 20th century. This is true at home but this is not the case in Central Europe, where the rise of modern and postmodern aesthetics first came about. In my thirty years of living, writing and teaching in Central Europe, my observation that beyond tradition is not confined to composers. For centuries in Central Europe