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一在现存的元杂剧中,“公案剧”可说是较少有学者研究的品种。“公案剧”之中,又有一个特别的文类旁支(sub-genre),称为“平反公案剧”。彭镜禧曾在他的博士论文中讨论过“平反公案剧”的语言和角色两方面。然而,令人失望的,是彭氏没有从一个较广的角度,深入探讨“平反公案剧”的角色的特色。如果我们把现存的“平反公案剧”放在一起研究时,我们不难发现这类剧是按照一个不成文的公式写成的,同时剧中角色的分配也有一定的规律。由于如此,它们才足以构成一个与别不同的文类。本文的撰述,就是希望找出“平反公案剧”在角色运用方面的公式。
In the existing Yuan Zaju, “Kung fu drama” can be said to be less variety of scholars studied. There is another special genre sub-genre called “Case Study”. Peng Jingxi discussed the language and role of the “Rebel Counterattack” in his doctoral dissertation. However, what is disappointing is that Peng did not go deep into the characteristics of the role of “Reversing CAS” from a wider perspective. If we put together the existing “Revenge of the Case” study together, we can easily find that this type of drama is written according to an unwritten formula, while the distribution of the role of the play there are certain rules. Because of this, they are enough to form a different genre. The article is written in the hope of finding out the formula for the use of roles in the “Rebel Case Case”.