初识孔奇,是1994年底在全国第八届美展中看到他的《南去的列车》,作品表现的是一群女青年的现代风范,后来又看到《江苏画刊》上发表的孔奇人物画作品及其他展览上的作品,使我感到孔奇在表现现代生活中青年的精神境界和运用色彩等方面出手不凡,很有个性。最近又观赏到孔奇多幅山水画新作,给我的印象是,孔奇的创造性在于将山水画诗化与田园化。 Kong Qi, who first met him, saw his “southbound train” at the end of 1994 at the 8th National Art Exhibition. The works show the modern style of a group of young women, and later they saw the holes published in the Jiangsu Pictorial Oddities in portraits and other works on exhibitions make me feel uncommon and unique in his performance of the spiritual realm and the use of color in modern life. Recently, I also saw the new work of Kong Qi on landscape paintings. What impressed me was that Kong Qi’s creativity lies in the poeticization and pastoralization of landscape paintings.