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本文在介绍日本国宝中中国瓷器的基础上,对宋代建窑“油滴”及“曜变”问题进行了探讨,宋代建盏中的“油滴”即宋代文献所说的“鹧鸪斑”,“曜变”应为特殊的“油滴”。同时,文章对被日本定为国宝的中国瓷器何以全部为宋、元瓷器的原因进行了探究,认为与镰仓时代以来日本人崇尚淡雅隐逸的艺术特色之审美观有密切关系,是深受茶陶旨趣熏陶的结果。
On the basis of introducing the Chinese national treasures in the Chinese porcelain, this paper explores the problems of “oil drop” and “Yao change” in the kilns built in the Song Dynasty. The “oil drop” in Song Dynasty is the “partridge spot” , “Yao change” should be a special “oil droplets.” At the same time, the article explores why all Chinese porcelain, which was designated as the national treasures by Japan, explores the reasons for all the porcelain in the Song Dynasty and the Yuan Dynasty. It is closely related to the aesthetic taste of the elegant and secluded Japanese art since the Kamakura period Pottery effect of the results.