书法作为真正意义上的创作,其根本的依据应是作者的真性情,是出乎己而不由于人的生命运动。为展览活动之需,应单位个人之索,虽亦或有佳品,但价值何及出乎书家内在需要的自得之作!好友之间,或应嘱遣兴,或文笔往来,或相会弄翰,则每每是引发真性情、真创作的契机,其心态何其自然畅怡而远胜驱于功利、役于直酬也。 Calligraphy as a real creation, its fundamental basis should be the author’s true nature, is out of self and not due to human life movement. To cater for the needs of the exhibition, the individual’s cable should be self-sufficient. However, the value of the book may be beyond the selfishness of the book’s inner needs. Too often, it is often the occasion that leads to true feelings and true creation. How does its state of mind naturally go far beyond utilitarianism?