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本文围绕广东番禺(今广州市海珠区)近现代画家沈仲强艺术身份进行探讨,并以此揭示“广东国画研究会”应对岭南中国画变革的路径等方面。
This article focuses on the artistic identity of modern artist Shen Zhongqiang in Panyu, Guangdong Province (now Guangzhou Haizhu District), and reveals the ways in which Guangdong Studies of Chinese Painting can address the reform of Lingnan Chinese painting.