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一人所共知,粉碎“四人帮”以后,我省的戏剧创作确曾热闹红火了好一阵子,甚至可以说在全国也属于先进行列。后来,“戏剧危机”出现了。我们在缺乏充分思想准备的情况下,先是瞠目结舌,继而躁动不安。在一九八六年举行的第六届戏剧创作讲习会上,我们曾经认真地分析了形势,并就现实主义和现代派、人学和人性、剧作家的主体意识、观众学以及关东戏剧等一系列问题进行了探讨和争论。大家一致感到,我省的戏剧创
As we all know, after the smashing of the “Gang of Four,” the theater in our province did indeed flourish for quite some time. It can even be said that the whole country is also an advanced one. Later, the “drama crisis” appeared. In the absence of adequate preparation for our ideals, we are first and foremost staggering, then restless. At the Sixth Drama Creation Seminar held in 1986, we have carefully analyzed the situation and discussed realism and modernism, humanity and human nature, the main body of the playwright’s consciousness, audience studies, and Kanto drama. A series of questions were discussed and argued. We all feel the same in our province