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我国的戏曲音乐与西乐的钢琴艺术产生于不同的文化语境,在中西方音乐中各自占有重要的地位并产生了深远影响。但在西学东渐的历史演变中,戏曲音乐已然失去了它原有的生存土壤而被新兴音乐所替代。相比之下,西乐的钢琴艺术在中国现代社会音乐教育中的地位却与日俱增。中国音乐学者抱着挽留、保护和发扬的初衷,大刀阔斧地将戏曲中的元素巧妙地糅合进钢琴音乐当中,使戏曲艺术和钢琴艺术都完成了一次生命的蜕变。究其缘由,源于两者都在审美和哲学两端存在共同的文化、艺术命题。
The piano art of Chinese opera music and Western music originated in different cultural contexts, each occupying an important position in Chinese and western music and having a profound impact. However, in the historical evolution of western learning, opera music has lost its original living soil and has been replaced by emerging music. In contrast, the western piano music in modern Chinese society, the status of music education is increasing. With the original intention of retaining, protecting and promoting Chinese music scholars, Chinese musicians skillfully blend the elements of opera into the piano music, making the drama art and the piano art complete a life transformation. The reason for this is rooted in the common cultural and artistic proposition that both have aesthetic and philosophical ends.