论文部分内容阅读
前苏联电影理论家图洛夫斯卡娅说,艺术运动永远是接近真实,下一阶段总是比前一阶段更真,更接近现实。影视艺术的假定性多运用于电影,电视剧作品比较少见,要拍摄一部受观众欢迎的电视剧作品,特别是一部好的中国当代叙事性题材的电视剧则需要合理运用艺术假定性。下面以电视剧《我家的春秋冬夏》为例,具体介绍一下当代叙事性题材电视剧的艺术假定性形式及运用方法。一、运用艺术假定性使选材、主题提炼、情节更接近现实生活《我家的春秋冬夏》以“黄昏恋”为独特视角,讲述了一个“老爸恋上知音保姆”的故事。该剧以老秦
Forlov Soviet film theorist Tuolovskaya said that the movement of art is always close to reality, and the next phase is always more real and closer to reality than the previous one. The assumptions of the art of film and television are mostly used in movies. TV drama series are relatively rare. The filming of a TV series popular with viewers, especially a well-established TV drama of contemporary Chinese narrative themes, requires the rational application of artistic hypotheses. The following TV series, “My Spring and Autumn Winter,” as an example, describes the contemporary narrative theme of the drama of the pretext of the form and use of methods. First, the use of artistic assumptions to make the selection, theme refining, the plot closer to the real life “My family’s spring and autumn and winter” to “Twilight Love ” as a unique perspective, tells a “Dad fell in love au pair ” story. The play to the old Qin