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美术家民间社团的发展与运行状况是当前美术界颇为关注的话题,富有中国文化色彩的民间社团以极其活跃的活动方式对当代视觉文化进行了有效的阐释。以高品味的学术追求为目标、以社会公众的文化需求为导向的民间社团是如何组织、运行和管理的?在多元的文化背景中,民间的美术社团可以承担怎样的角色?它自我生存的机制将怎样?带着这些问题,我们在3月下旬对参与有关活动的靳尚谊、王镛、张祖英、詹建俊、水天中等美术家、理论家分别进行了专访,请他们从各自不同的角度对中国当下美术家民间社团的组织和运行状况发表议论,并针对代表性团体的发起组织、活动方式、运行模式、方向规划、取得的成就或面临的困境等方面的内容展开讨论。
The development and operation status of the artists’ civil society is a topic of great concern to the art circle. The civil society rich in Chinese culture has explained the contemporary visual culture in an extremely active manner. How to organize, run and manage civil society based on the cultural needs of the public, aiming at high academic pursuits? In the multi-cultural background, what is the role that private art associations can play? It is self-survival With these questions, we conducted separate interviews with artists such as Jin Shangyi, Wang Tuan, Zhang Zuying, Zhan Jianjun and Shuitian Middle Artists and theorists who participated in the activities in late March. They asked them to comment on their respective opinions on China At present, the organization and operation status of the civil society of artists are discussed and discussed in terms of the sponsoring organizations, activities, operating modes, direction planning, achievements made or difficulties faced by the representative groups.