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对数字技术诱人的前景,著名导演卢卡斯曾作过乐观的预言:“最终会导致出现一个更为民主的制片环境,每个人都能够制作电影。要不了多久人们就可以在自己的PC机上干电影这一行了。”他的话音刚落,日本研制的第一款DV数码摄像机(DigitalVideo)就于1996年问世,其画质水平解像度达500线以上,与价值不菲的Beta摄像机不相上下,性价比很适合个人消费者的购买能力。同DV摄像机配套的是非线性编辑软件,将数字信号输入PC后可以很方便地进行后期编辑。尤其微软公司在1997年推出Softimage3.7版本之后,标志着在个人计算机上也可制作电影特技画面了。这样就突破了制作影视节目企业化、集体化的陈规,从前期拍摄到剪辑合成,全部可以由创作者一个人独立完成,揭开了DV影像文化的新纪元。
The attractive prospect of digital technology, the famous director Lucas has made optimistic predictions: “will eventually lead to the emergence of a more democratic production environment, everyone can make a movie .After long, people can in their own On the PC, it's on a dry movie line. ”His voice faded, and the first DV DVV developed by Japan came out in 1996 with a resolution of more than 500 lines and a high-profile Beta camera The same, the price is suitable for individual consumers purchasing power. Matching with the DV camera is a non-linear editing software, the digital signal input into the PC can be easily post-editing. In particular, Microsoft introduced the Softimage 3.7 version in 1997, marking the possibility of making movie stunts on personal computers. This breakthrough in the production of film and television programs of enterprise, the collectivization of stereotypes, from the early shooting to the synthesis of clips, all by the creator alone to complete, opened a new era of DV image culture.