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几年来,由于明代正统藏经封面锦的大量发现,把它和天水冰山录关于丝釉部分记载,及反映到明代画相上衣饰结合,我们对于明代锦缎内容,花纹图案组织和配色艺术特征,因此有了一些基本知识,和清代早期生产有什么相同或不同,也日益明白了。更重要还是借此得知,宋人记载中提起过的大约百种宋锦名目,如百花龙、大中宝照、师球、青绿簟纹、倒仙(即团鹤),大部分还反映到明代生产中。还有部分属于唐代锦式,如樗蒲、双距、盘雕、
In the past few years, due to the large number of discoveries on the cover of the orthodox Tibetan scriptures in the Ming Dynasty, combining it with records of the Silkscreen of Tianshui Bingshan and reflecting on the costumes of the Ming dynasty, we analyzed the contents of the damask, the design of patterns, Therefore, with some basic knowledge, which is the same or different from the early Qing Dynasty’s production, it is also increasingly understood. More importantly, it is also learned that most of the about 100 Song Jin mentioned in the Song records, such as Hundred Flowers, Dazhong Baozhao, Master Ball, To the Ming production. There are also part of the Tang Dynasty Kam-style, such as Dan Po, double spacing, plate carving,