与表现主义美学的创始人克罗齐的表现说不同的是 ,法国现象学及存在主义哲学的代表人物梅洛·庞蒂在他的后期著作《眼与心》中将表现视为身体活动的一种方式 ,从而使表现和人的实践活动联系起来 ,使传统的表现说具有了个体的意义。从表现说的内容、表现的原因、表现的方式、表现与风格等方面都可见出它有其优点和不足 In contrast to the performance of Croce, the founder of expressionist aesthetics, Merlot Ponti, the representative of French phenomenology and existential philosophy, sees performance as bodily activity in his later book Eye and Heart A way to relate performance to human practices and make the traditional expression of the individual meaning. From the performance of the content, the performance of the reasons, the performance of the way, performance and style can be seen that it has its advantages and disadvantages