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20世纪30年代人们将中国现代西洋美术的实践及其对于20世纪中国美术的影响,过多地聚集于学院化的主体艺术的范围,在广泛的社会文化传播层面等方面却缺少足够关注和思考《,良友》画报在民国时期具有很大知名度,同时也是大综合性新闻画报代表的一种。本文通过对《良友》画报的分析来说明美术院校不是传播西洋画的唯一途径,大众媒介和美术精英人才的合力效应是重新认识中国美术的现代历史转型。
In the 1930s, people practiced Chinese modern western art and its influence on Chinese art of the 20th century too much in the scope of the academic subject art, but lacked enough attention and thought in the aspects of broad social and cultural communication “Liangyou” Pictorial has a great reputation in the Republican period and is also one of the representatives of the large comprehensive newspaper pictorial. Through analyzing the “Liangyou” Pictorial, this article shows that the art academy is not the only way to spread the western painting. The combined effect of the mass media and the fine arts elite is to re-understand the modern historical transformation of Chinese art.