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看了去年11月3日《生活周刊》发表的周惟波撰写的《振兴戏曲——不现实的呼唤》一文,不但不敢苟同,而且颇为惊讶。用如此刻薄的语言,诅咒、贬低我们民族文化艺苑中的一枝瑰丽的鲜花——戏曲,这在国内外文坛中实属罕见。当前戏曲舞台的确不如五、六十年代那样繁荣,其原因是多方面的。由于反动统治的摧残,解放初期戏曲事业几乎奄奄一息。侯宝林先生的杰作《改行》就是对旧中国戏曲事业的真实写照。正是我们党制定了一条正确而且行之有效的文艺政策,振兴了戏曲,因而才有五、六十年代戏曲舞台的鼎盛春秋。那时传统戏、
On November 3 last year, I read “Weekly Revitalization - An Unrealistic Call” by Zhou Weibo, published by Living Weekly, which not only did not agree but was quite surprised. With such a hysterical language, cursing and belittling a magnificent flower in our national culture and art court, opera is rarely seen in literary circles at home and abroad. The current drama stage is not as prosperous as the 1950s and 1960s for many reasons. Due to the devastating reactionary rule, the drama career in the early days of liberation was almost dying. Mr. Hou Baolin’s masterpiece “diverted” is a true portrayal of the cause of the old Chinese opera. It is precisely because our party has formulated a correct and effective literary and art policy and revitalized opera so that it has the flourishing stage of the opera stage in the 1950s and 1960s. At that time traditional drama,