近年来,有关民族文化的研究已由过去关注较为单一的书面文本拓展到更为多样的领域和范围。其中,对博物馆作为民族文化艺术之特殊载体和书写方式的研究,也日益受到重视。本文以被誉为中国首座“生态博物馆”的贵州梭嘎苗族社区为例,探讨其中与“国家和地方”、“传统和现代”以及“自我与外界”等诸多方面相关的问题,以期引起更多的注意。 In recent years, the research on ethnic culture has been expanded from a single, written version of the past to more diverse fields and scopes. Among them, the museum as a special carrier and writing style of national culture and art research, more and more attention. Taking the Miao community of Suojia in Guizhou as the first “eco-museum” in China as an example, this article explores some issues related to many aspects such as “state and local”, “tradition and modernity” and “self and outside world” More attention.