五四时期,“歌谣体”成为新诗创作的重要来源,作为一种新诗实践,它在丰富诗歌表现形式的同时,还承载了启蒙主体的“平民化”诉求。三十年代在左翼文学“大众化”口号下,中国诗歌会倡导的“新诗歌谣化”又赋予了歌谣体以新兴阶级话语,在左翼主流话语逐步建构之下,四十年代“歌谣体”新诗渐趋圆熟。通过考察现代文学历程中“歌谣体”新诗的建构和发展,可以看到左翼文学“场域”对文学话语形式的决定作用和新诗建设中的得失,也会进一步引发对现代汉语诗歌发展方向的有益思索。 During the May 4th Movement, “songs and ballads ” became an important source of new poetry creation. As a practice of new poetry, while it enriched the forms of poetry, it also carried the “civilians ” appeal of the enlightenment subject. In the 1930s, under the slogan of “leftist” literature and “popularization”, Chinese poetry advocated “new poetic rhyming style ” and gave the rhyming body a new class discourse. With the progressive construction of the leftist mainstream discourse, Ballad body "new poem gradually mature. By examining the construction and development of new songs in the history of modern literature, we can see the decisive role of left-wing literature and field on the form of literary discourse and the gains and losses in the construction of new poems, Helpful Considerations on the Development Direction of Poetry.