一、冲突是怎样产生的?剧中人物不仅仅是艺术家注意的主要对象,而且是戏剧的实质。如果没有人物,则所有技巧、‘舞台法则’的知识以及对生产问题和其他重大问题的详尽研究,都会变得毫无力量。但是,把人物引入戏剧作品究竟是什么意思呢?是不是把人物摆在首要地位就行了呢?……是详尽和细致地描写人物吗?………是以最鲜明的色彩来描绘人物形象吗?……要知道,剧作家早已懂得这些一要求。尽管如此,有许多剧本似乎已经遵守了一切‘规则’,然而却仍不能成为真正的剧本。例如,С·阿辽辛的舞台剧本‘厂长’难道没有符合这些要求吗?看 First, the conflict is how to produce? The characters in the play is not only the main object of the artist’s attention, but also the essence of the drama. Without the characters, all the tricks, the knowledge of ’the rules of the law,’ and the exhaustive study of the problems of production and other major issues would become powerless. However, what does it mean to introduce a character into a dramatic work? Is it a matter of prioritizing people? ... Is it a detailed and meticulous way of portraying a character? ... ... you know, dramatists have long understood these requirements. However, many scripts seem to have followed all the rules, but they still can not be real scripts. For example, does not A. A Liao Xin stage script ’director’ do not meet these requirements?