这篇论文的灵感,来自于多年来我对中国戏剧现实主义成风的不满。来自于我所见到的越来越多的人对现实主义的越来越真切的认识和批判。也来自于我对中国剧集体逃向历史、逃向名著、逃向形式、逃向荒诞的反思,自现实主义是否过时的疑问……而它的直接写作契机,则自于我的再读曹禺。 This essay is inspired by my dissatisfaction with the prevalence of Chinese theater realism over the years. More and more people from what I have seen have come to realize more and more realistic understanding and criticism of realism. But also from my questions about how the Chinese drama collective fled to history, fled to the classics, fled to the form, the reflection of escaping to absurdity, and whether the realism is outdated ... And its direct writing opportunity comes from my reread Cao Yu .