中国传统绘画在长期的发展过程中形成多种题材类别,随着各种题材类别在表现上的逐步成熟,题材上的分科也就应运而生。花鸟画作为其中的一个门类,在唐代尚未形成独立的画科。到五代黄荃、徐熙的出现,标志了花鸟画的成熟。进入宋代,花鸟画得到更加昌盛的发展。直到今天,花鸟画依然是画家所喜爱表达的主题,究其原因,就在于花鸟画是对自然生命活泼跃动的诗意描绘,所表达的是一种天人合一的自然观,是人对自然的微观观照与局 Traditional Chinese painting forms a variety of subject categories in the long-term development process. As the performance of various subject categories gradually matures, sub-subjects on the subject matter come into being as well. Flower and bird painting as one of the categories, in the Tang Dynasty has not yet formed an independent painter. To the fifth generation of Huang Quan, Xu Xi’s emergence, marking the maturity of flowers and birds painting. Into the Song Dynasty, flowers and birds get more prosperous development. Until now, flowers and birds painting is still the subject of the artist’s favorite expression. The reason for this is that flower and bird painting is a poetic depiction of the lively and vivid natural life. It expresses a natural view of man and nature Microcosmic view of nature and Bureau