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在影片《一九四二》的音乐中,作曲家以亲历者的视角审视民族历史,并立足具有方言声韵腔调特点所形成的核心三音列,分别为剧中人物老东家、星星、花枝和妮儿创作了父亲、女儿与母亲主题音乐。可以说,正是借助于对哭泣声腔的音响模拟与强化,影片的音乐一方面传递出贯穿画面叙事的撼人心魄的整体性悲情基调,另一方面也集中体现了核心三音列对主题及场景音乐所具有的主导贯穿作用。并与难民千里逃荒的苦难经历遥相呼应、互为表里,彰显着影片的深邃主旨。
In the movie “1942”, the composers examine the history of the nation from the point of view of the witness, and based on the core three-tone columns formed by the accent and accent characteristics of the dialect, respectively are the characters’ old masters, stars, Ni Er created the father, daughter and mother theme music. It can be said that it is by means of the sound simulation and enhancement of the weeping acoustics that, on the one hand, delivers the heart-warming holistic sadness tone that runs through the narrative of the picture, and on the other hand, Scene music has the leading role. And echoes with the experience of hardships and fleeing refugees thousands of miles away from each other, revealing the profound theme of the film.